👨🏾‍🎓 Lessons Learnt from our Founding Year as an Artisan Publisher

Our first year in business, establishing Margin to Margin Books as an independent press, has been nothing less than a baptism by fire. A period of steep learning curves, incredible highs, some losses, and the kind of mental and physical exhaustion that only comes from laying the foundations of something substantial.

As we battle into our second year, I’ve been reflecting on the hard lessons learned by M2M Books over the past twelve months. Here is the unvarnished truth about our one-year journey from novice publisher to literary infrastructure.

  • 🥃vs📚 Reality Bites: Undoubtedly, the primary lesson and biggest eye-opener has been discovering that selling expensive rum to hollow-legged punters (my last job) is infinitely easier than selling books. A tenner for a decent drink? – that’ll do nicely! £9.99 for a fascinating book? – a far trickier proposition.
  • 📖 The Physicality of the Craft: Our second hard lesson was a tangible issue: the covers of our first print run were beautiful, but too thin. My excuse, the cardstock samples arrived the morning after I’d pushed the print button. Without doubt, future editions and titles will all have heavier covers, so if you want to get your hands on these exclusive first editions, editions that will be worth fortunes in coming decades’ Antiques Roadshows, you’ll need to get a wriggle on.
  • 👨🏾‍💻 The Irony of the Professional Reader: A bittersweet reality has been the loss of literary leisure. When my eyes are constantly scanning manuscripts for rhythm, structure, and submission potential, the commitment required to get lost in a book for the sake of it begins to evaporate. Furthermore, my own creative output has narrowed to essays and blog posts. My writing is no longer reactive and freewheeling; it has become limited to the machinery of this artisan press.
  • 💰 Publishing – Difficult and Expensive: There is no easy mode when you are doing things independently. Publishing is not about sifting for books we want to publish, ideally, we would publish many more of the submissions we receive. Economic reality dictates that publishing revolves around deciding which few manuscripts we can afford to get behind and turn into physical books.
  • 🚦Visible Pathways: The first year confirmed our core mission: the importance of providing a visible pathway to publishing for marginalised voices. For many writers from marginalised communities, the literary world feels like an impenetrable fortress. By being an independent press that is active, vocal, and accessible, we show underrepresented writers that there is a seat at the publishing table for them.
  • 👴🏾 Hard Truths: I’ve also had to face a personal reality: I’m no spring chicken and don’t have quite the same energy I used to. But this isn’t a sprint; it’s a marathon that requires careful pacing and a clear-eyed view of one’s own limits – exactly the same process as writing a book.
  •  🏝️ No Project is an Island: Success in the publishing industry cannot happen in a vacuum. Success is won through partnerships (like our growing relationships with Aberystwyth UNESCO City of Literature, Books Council of Wales, Literature Wales, The Cambrian News, the National Library of Wales), through the support of our readers, through bookshops like Ystwyth Books and Waterstones, and through the amazing community of writers who trust us with their work. We are part of a powerful and fast evolving ecosystem, and we thrive when we support one another.

Looking Forward: We’ve absorbed these lessons; the thin covers, the importance of partnerships and providing pathways, the late nights; and are now fully focused on pouring all this hard-won wisdom into M2M Books’ future titles.

Support the project by grabbing an exclusive ‘thin-covered’ first edition of I Zig and I Zag and Love and Happiness. Buy from your favourite bookshop and online (Kindle editions available📱).

Or, if you have a manuscript in need of publication, check out our 2026 submission guidelines.

Until next time, keep reading, keep writing.

Gareth James – Chief Reader M2M Books

Open Call for Poetry & Prose Submissions: 2026 Anthology

Following the successful launch of our debut collection, I Zig and I Zag, Margin to Margin Books is excited to announce an open call for submissions for our second multi-community anthology. Provisionally titled Margin to Margin, this collection seeks to amplify a range of voices from the literary periphery.

What We Are Looking For

For this second volume, we are expanding our horizons. While poetry remains at the heart of the project, we are also opening the door to prose. We invite submissions that speak to Marginalised Communities in the following categories:

  • Poetry: Bold, beautiful, unfiltered.
  • Short Stories: Narrative fiction exploring the complexities of identity and place.
  • Essays: Personal reflections, social critiques, and lived experiences.

Key Dates & Deadlines

While the M2M Books submission window remains permanently open for future projects, there is a specific cut-off for this upcoming volume:

  • Submission Deadline: Friday 13th March 2026.
  • Anticipated Publication: Late Summer 2026.

Get Inspired: The M2M Books Spirit

If you want to understand the spirit of our independent press, look no further than our first anthology, I Zig and I Zag.

Published in September 2025, this multi-community poetry collection is available in bookshops across the UK.
To help our global community of writers and readers access these voices, we have a special limited-time offer running: download the Kindle edition of I Zig and I Zag for just £3.99 (offer ends Wednesday, 14th January 2026).

“Our job is to bridge the gap between those writing from the margins and those readers from marginalised communities searching for stories that feel like home.”

Gareth James, Chief Reader M2M Books

How to Submit

We want to read your poetry, your narratives, and your experiences – your story told your way.

Please read our submission guidelines and FAQs then submit your manuscript to:

info@m2mbooks.com

📱M2M Books Kindle Launch: Special New Year Discount on Flagship Titles

At M2M Books, our mission for 2026 is set: we exist to publish great writing for marginalised audiences and to amplify authentic voices who refuse to perform for mainstream expectations. We are an artisan press who also understands the value of a well-curated digital library.

The Invitation

To celebrate the beginning of our second year of operation and our new creative home in Taliesin, we are opening a seven-day discount window to make our flagship titles more accessible to our global community.

🌍 International Readers: We know shipping physical copies overseas is a challenge. By lowering the price of our Kindle editions, we are offering our global community a frictionless way to access the M2M Books catalogue. Whether you are in Nairobi or New York, you can download these titles instantly at the same special rate 🇰🇪🇺🇸

From 8:00 a.m. today, Wednesday 7th January, until Wednesday 14th January, we have lowered the barriers for everyone.

The Featured Titles

Love and Happiness – G.I. James (£1.99/4.99) A pacy exploration of the destructive nature of adoption and the relentless pursuit of identity. This is a debut novel for those who understand what it means to search for belonging in an untrustworthy world.

I Zig and I Zag – Poetry Anthology (£3.99/9.99) An essential multi-community collection bringing together an extraordinary chorus of poets. This anthology invites you to embrace the zigzagging pathways of life, finding value in the margins we all encounter.

Why an Independent Press Matters

When you purchase a title from an independent press, you aren’t just buying a file or a stack of paper; you are facilitating the next project. You are ensuring that unique voices like Masaka Madeda, Eric Ngalle, and Rosalind McCullain have a platform that isn’t dictated by mainstream expectations or the diversity calendar.

This isn’t a clearance sale. This is our calculated move to get these important new stories into as many hands as possible as we begin an exciting new chapter. So please share this opportunity.

How to Join the Library

You can take advantage of these special discounts via Kindle. The window closes in seven days.

Together, let’s make 2026 the year for telling our stories our way.

Gareth James – Chief Reader M2M Books

The First Page of a New Notebook 📔

A top-down photo of an open notebook on a wooden desk. On the left blank page, '2026' is handwritten in ink. On the right lined page, a tan and orange pen rests next to a blue elastic bookmark.

🎵 So Fresh and so clean clean 🎶

I am famously agnostic about Christmas; never been one for tinsel and forced seasonal sentimentality. Not enticed by New Year’s Eve; the noise and the performative countdowns; seen it all before. But I still get super-excited by the first working day of each New Year – a motivational springboard of intent. Happy New Year!

So, while most of the rest of the world remains in recovery mode, I have already flipped open this new year like the first page of a brand new notebook (so fresh and so clean clean). Energised by the potential of many unknowable narratives that will be etched into reality over the coming twelve months.

A massive drawer marked “January”, for the past few months, has been a convenient vessel to shove many arduous tasks into. Ambitious ideas, complex manuscripts, and every “we’ll get to that” email, hidden away for a later date. Today (cos it feels like a Monday), that drawer has been tipped onto my desk, set out neatly, ready to be engaged with.

📚 Looking Back – Moving Forward

The final months of 2025 were a whirlwind of activity for M2M Books:

The Launch: We brought into the world our first multi-community poetry anthology, I Zig and I Zag by Masaka Madeda alongside other diverse poets, and debut novel, Love and Happiness by G.I. James; a pacy narrative exploring adoption and identity that has already begun to resonate.

The Transition: We bade a fond farewell to Irie’s Bar; a space that fuelled our early energy; and have transitioned our operations to Taliesin. This move represents a shift into a more focused, dedicated environment where we can nurture the next wave of M2M Books’ authors and titles.

Our Digital Home: We revamped our publishing website m2mbooks.com. We stripped away our necessarily hurried first attempt to create a boutique space that better reflects the quality of our authors.

💪🏾 Hopes for 2026: Publishing beyond the diversity Calendar

Throughout 2026, the M2M Books’ mission is to encourage writers from diverse backgrounds to move beyond the diversity calendar; to compose texts for their own communities; to resist defaulting into explanation and performative suffering for largely disinterested mainstream audiences.

This year is about building permanent internal libraries for a range of marginalised communities. We want to publish more books that uplift communities and refuse to fit into any predictable mainstream box.

The desk is set, the notebook is open, the pen is poised. Let’s get to work.

✍🏾 Join the Journey

If you have a manuscript that belongs on our desk – a story, poetry, or nonfiction written for a marginalised community – our submission window is always open.

Let’s have a great year!

Gareth James – Chief Reader M2M Books

Publishing Beyond the Diversity Calendar

Marginalised writers are customarily employed as a form of seasonal window dressing. There is a month for every identity, a short period when a few representative authors are invited to perform their trauma for a curious public; a fleeting moment when the publishing industry undertakes a desperate bit of box-ticking and then reverts to its default settings. This is not a picture of positive publishing; this is opportunistic virtue signalling.

M2M Books has no interest in tokenistic diversity calendars; not interested in marginalised communities being offered up to the mainstream as seasonal decoration; consigned to the loft for the majority of the year; writers finding themselves exactly where they were before the brief flurry of activity; out of sight, out of mind; exposed and unsupported; publishers immediately racing on to the next marketable trend.

And in these occasional periods when publishing houses appeal for diverse manuscripts, they are often looking for a specific kind of trauma narrative composed for the Hay Festival demographic. They want to publish the Racism or Homophobia 101 explanation; a comfortable self-serving product drafted for the gaze of the well-meaning liberal. Literature of misery and existential justification.

So, while the industry awaits the next political trend to dictate what is marketable, our mission remains fixed. M2M Books is committed to curating robust literary infrastructure for a spectrum of marginalised audiences – an Internal Library that will remain available and active 365, year after year after year.

This is why our submission window does not close when a heritage month ends. Our submission window remains permanently open; the urgent need for the literary fortification of under-represented communities does not have time for an off-season.

What Submissions are M2M Books Looking For?

We prioritise the complex, the authentic, and the internal; literature that will resonate with marginalised communities, rather than books that beg the world for permission and understanding. We want to publish fiction, nonfiction, and poetry that offer solace, resilience, and intellectual armour to our various marginalised communities in an increasingly hostile political climate.

Sanctuary for the Serious Writer

If you are a writer who is tired of being treated like a seasonal guest, a case study, spokesperson, or representative of your community, M2M Books is your sanctuary. We are not looking for your anger or suffering to be used as an educational tool for others. We are looking for your literary craft to be deployed as fortification for your own community.

This important work continues. We are building something permanent. We are building for ourselves.

Gareth James – Chief Reader

The Trap of the Artistic Face-Off

A high-contrast, black and white photograph of a densely packed bookshelf. The rows of books are layered with a mix of leaning and stacked spines, creating a textured, monolithic wall of literature. The top shelves fall into deep, dramatic shadows, evoking a sense of an endless "Internal Library."

Speaking to Our Own Communities in an Increasingly Hostile World

It is not the job of Black writers to explain to white people that racism is wrong. If, after 500 years, whiteness hasn’t yet grasped the irrational evils of their racial bias and discrimination, there is little we can say that is going to change a thing. Racism is a conversation whiteness needs to have with itself. It’s not our job to debate racism and not a good use of our time – especially right now.

Right now, not just for People of Colour, but for those of almost all marginalised communities, the political horizon appears increasingly dark and indifferent, if not downright bleak. So, rather than moaning and groaning to people who do not care, our time as marginalised artists is better employed equipping our communities with art that will provide the armour, the uplift, and the resilience required to survive and thrive in increasingly right-wing societies.

I completely understand the impulse for the marginalised artist to turn outward: to face off against injustice, to shout into the storm, and to rage at the architects of systemic failure. But we should be honest about the nature of protest in art. Raw anger is a valid response, of course it is, but it is rarely an original one. When we create solely out of anger, we allow other people’s intolerance to dictate the shape of our art. In a literary sense, fury follows predictable patterns; it is reactive, defined entirely by the injustice it opposes.

Worse, this artistic rage vainly addresses a mainstream society that isn’t listening or paying attention, when we could and should be speaking directly to our own communities – under-pressure communities who are desperate for both intellectual reassurance and artistic solace.

So, rather than using the manuscript as an ineffective shield against injustice, we must employ books and The Arts more broadly as powerful tools with which to fortify the internal structures of our own beleaguered communities.

M2M Books is intent on building “Internal Libraries” for marginalised communities. To become a curator of narratives that act as psychological and intellectual fortifications; fiction, nonfiction, and poetry that provides much-needed support and motivation at a time when external politics offer little in the way of remedy.

Because these books must fortify a community, the literary craft must be uncompromising. For example, M2M Books is not interested in a Racism 101 narrative aimed at a mainstream audience, but in a sophisticated internal dialogue that will resonate within the community. Any marginalised community under pressure needs a sturdy artistic structure, and weak, reactive writing cannot provide that.

Building this kind of literary infrastructure cannot be rushed. It takes time to move past the immediate scream of protest and into the important work of community fortification. This is why the M2M Books’ submission window remains permanently open for works that focus on the authentic and complex dialogue of a marginalised community.

If you are ready to start contributing to an internal library for your own marginalised community, we are ready to read your work.


Gareth James – Chief Reader

A Permanent Invitation

A Reminder Why the M2M Books’ Submission Window is Always Open

Following the successful launch of M2M Books as Wales’s freshest publishing house, and our commitment to increasing the availability of quality literature for underrepresented communities, we are often asked, until when is our submission window open?

The answer is simple: the M2M Books’ submission window remains permanently open.

This is because M2M Books operates to an ideology, not a schedule. We believe that the quality literature we will publish, the kind that speaks to marginalised audiences with complexity and authenticity, need not be hurried to meet an arbitrary timeline. Your best writing should be submitted to us only when it is ready.

Furthermore, M2M Books appreciates that achieving the literary standard of speaking to, and not simply about, a specific marginalised community often requires a comprehensive rewrite of the manuscript. This takes time, and we respect that process. We also understand that many of the texts we will wish to publish are yet to be written.

This long-term commitment to diverse literature is why M2M Books remains open to submissions across all genres (Fiction, Nonfiction, Poetry, and Children’s books). The complex experience of marginalisation demands that these little-heard narratives are told across every form of literature.

So, our rolling invitation to submit your work to M2M Books is permanent. Though our mission and our standards are non-negotiable.

We invite you to study our mission and submit your manuscript when it is ready.

Gareth James, Chief Reader

Full Guidelines & Submission Details:

Taliesin’s Legacy: Positioning M2M Books in the Historical Continuum of Welsh Literature.

M2M Books’ relocation to Taliesin, just a few miles up the road from Aberystwyth, is as inspiring as it is serendipitous. We find ourselves geographically as well as philosophically positioned within the historical continuum of complex Welsh literature – learn more about Taliesin the Welsh Bard.

But this adventure, however scenic it may be around here, is not some romantic Celtic jolly. The not un-terrifying undertaking of closing Irie’s Bar in order to establish a publishing house is a committed transference of everything.

I do this because M2M Books has become the unavoidable extension of a belief, an argument, that there should be far more fiction and nonfiction published for (as opposed to about) marginalised audiences.

But this daunting project is not entirely doom and gloom, we have a few things in our favour to provide us with a little confidence:

  • Support: The immediate, crucial backing from our mentor and distributor, the Books Council of Wales, who recognised from day one the fundamental difference between ‘for’ and ‘about’ when it comes to literature and marginalised communities.
  • Synergy: The move to Taliesin provides not only literary and poetic inspiration, but also offers a synergetic and fascinating aspect to these early steps of our publishing journey.
  • Global Mandate: Aberystwyth securing UNESCO City of Literature status and how the genesis of M2M Books played a small part in that massively significant achievement. All eyes on us. All eyes on mid Wales.

M2M Books believe the experience of marginalisation requires an immediate and multi-genre response, demanding the highest level of literary craft across the board – nothing less than this total response stands any chance of rebalancing store and library bookshelves with more literature aimed towards marginalised communities.

This total commitment to diverse literature is why M2M Books remains permanently open for submissions of all genres for marginalised audiences (Fiction, Nonfiction, Poetry, and Children’s books). So, M2M Books invites authors to submit manuscripts aimed at marginalised audiences now or at their leisure.

We shall delve deeper into M2M Books’ submission requirements next week. Please share our invitation with other authors you know.

To stay informed, subscribe to M2M Books‘ blog and our social media pages:

https://www.facebook.com/M2MBooks?

https://www.instagram.com/m2m_books?

Speak soon,
Gareth James – Chief Reader


Full Submission Guidelines: m2mbooks.com/submissions

Publishing for Children – Excluded Voices

– a Call to Action for Authors and Illustrators ✍🏾

A priority for M2M Books is to publish an increasing number of baby and toddler books, picture books, and fiction featuring characters and storylines relatable to children, from toddlers to teens, who find themselves excluded in British children’s books by their ethnicity, culture, neurodivergence, or disability.

M2M Books are treating this early-reading audience as a priority because we understand that the next generation of diverse authors, editors, proofreaders, illustrators, librarians, retailers, reviewers, literary agents, printers, and publishers, can only emerge from a generation of children that love books. And for diverse children to learn to love books, we need them to become immersed in a steady stream of engaging stories that relate to their lived experiences and include characters that represent their perspectives.

If any of us required further motivation to give this initiative the full beans, the recently published 2025 Excluded Voices Report provides stark evidence of the importance of succeeding in our mission.

As a UK publisher, it is also a priority that M2M Books publish titles written and illustrated by UK-based authors and UK-based artists who share the same marginalised identity as their main characters (own voice). For when a character’s identity is central to a story but the creators are not from that community, more often than not, there are problematic aspects to the depiction (ask Jamie Oliver!). For example, tokenistic representation such as a main character wearing a hearing aid as a superficial nod towards disability. Or, in a Peter and Paul story, just colouring Paul brown and adding a predictable subplot about the evils of racism. We agree with the report’s conclusion that ‘however well researched a work might be, the lack of lived experience shows. Own Voice stories generally bring depth that such books entirely lack’.

So, if you are a UK-based author or illustrator from a marginalised community, with an idea for a baby and toddler book, picture book, children’s fiction, or another style of book appealing to children aged 1-9 from the marginalised community you identify with, we would love to see your idea.

British own voice representation in children’s literature is extra crucial right now because the Excluded Voices report highlights a worrying upward trend in UK publishers commissioning children’s books from overseas. So, instead of investing in British talent to diversify their portfolios, in order to plug the diversity gap, mainstream UK publishers are favouring international talent for British editions. For example, repackaging African-American titles as tick-boxing substitutes for commissioning UK-based creatives from African or Afro-Caribbean heritages.

Key Takeaways from the Excluded Voices Report

  • Main-character representation in baby and toddler books is extremely low across all marginalised groups, representing just 2.8% of output.
  • Black main characters in baby and toddler books dropped 21.5% between 2023 and 2024, now featuring in a measly 1.9% of the entire published output.
  • In 2024, no baby and toddler books offered neurodivergent or disabled representation at main-character level and just two picture books were published with neurodivergent main characters.
  • Only two baby and toddler books were by British own voice authors.

‘My heart sank when I read about the limited representation in Baby and Toddler books. I can’t express how important this category is. The warmth of hearing my own toddler excitedly exclaim, “that’s me” as we read together, I understand how impactful this is for early reading experiences. The absence of neurodivergent or disabled main characters highlights a persistent gap. Structural barriers in publishing must not excuse the lack of investment in inclusive early years content. Prioritising Own Voice creators is essential if we are to build meaningful representation from the very beginning.’

The Black Nursery Manager, Liz Pemberton

  • In children’s fiction, the output of books with Black main characters was down 50% between 2023 and 2024 (George Floyd and BLM trend publishing).
  • Despite 2.6% of England’s school and nursery population having East and South East Asian (ESEA) heritage, during 2024, only 0.8% of children’s books published for one-to-nine-year-olds featured ESEA main characters.
  • Representation of Middle Eastern or North African characters was even more pitiful. And nearly half of the output in this category was based on war or refugee narratives.
  • Disabled representation at main-character level has entirely faltered with numbers of published books too small to be meaningful in terms of discerning any real trend.

So, tokenistic, trend-driven, grant-securing, one-hit-wonder publishing of books for marginalised children is the depressing norm in the UK and the situation is getting worse. Our job, therefore, is to buck this trend and to publish the books our diverse children will want to read, to invest in and nurture UK-based authors and illustrators from diverse backgrounds, and to demonstrate that publishing for children from minority communities is a viable and worthwhile strategy for mainstream publishers. M2M Books are working right now to publish our first picture book around Easter 2026. And we want to publish more.

Share your own experiences in our comments. Get in touch with your ideas.

M2M Books believe that creative talent is everywhere – it’s only the opportunity that’s missing.

M2M Books Submissions and Publishing Program

In the Pipeline

With publication day (25th September) for our debut titles upon us, and with the storm of activity this has required all but subsided, it is time to focus on future offerings.

For some months, Cardiff-based writer, Theresa Mgadzah Jones, has been collaborating with M2M Books on three new titles for young children. For us, the importance of these texts cannot be overstated as books written for children from diverse backgrounds are rare, whilst children’s books written about diversity are not nearly so uncommon – these perspectives are not the same.

It is our purpose to address this publishing discrepancy for no better reason than many future writers from marginalised communities will begin their literary journey in childhood, as engaged readers. Therefore, publishing attractive and relatable reading material for children from diverse backgrounds underpins M2M Books’ overall mission of publishing for marginalised audiences. We hope to publish Theresa’s three new books in 2026.

M2M Books are also in the process of commissioning a revelatory nonfiction title – more details to come.


Submissions

The success of M2M Books will not only hang on sales, but also in establishing a regular publishing program. With this in mind, we are still actively seeking submissions of fiction, nonfiction, and children’s books that speak to marginalised audiences. Before submitting your work, please read these FAQs and guidelines. We look forward to reading your work.

Order our Books…

Our debut titles, I Zig and I Zag and Love and Happiness, can be ordered directly from M2M Books online here or picked up at our launch event on Thursday September 25th 2025 at Irie’s Bar, Aberystwyth.

You can also secure your copies from Amazon, Waterstones, and all good bookshops.