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“Fortress Harriet meets adversity with the attitude of a world-class fly-half: game-face on with her elbows out” – a compelling force of nature that kept me turning the pages – The Cambrian News
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Chapter One It could mean anything. Harriet, hair still damp, talced, slotted inside pressed pyjamas, bound within a dressing-gown she will grow into soon enough, sits cross-legged, leaning against pillows jammed into the corner at the foot of her brother’s bed. The family edition of Swallows and Amazons lies open on her lap. A finger rests on the page, snagged on a troublesome word. She turns to the near wall. Racing car wallpaper. Her brother is too old for racing car wallpaper. She employs a nail to scratch away a wheel then quickly imprisons the naughty finger deep inside her dressing gown. Her reading finger remains pressed to the page. Four button eyes watch everything. Hello Frank. Hello Ernest. But it still could mean anything. She lobs the troublesome word across the room towards Lucas, still in day clothes, slumped over his desk. 'Lu? What are duffers?' Her brother's head cranks up a notch. 'What are what?' 'Duffers.' Harriet spells out the word at the end of her finger. 'D-U- F-F-E-R-S.' 'The whole sentence?' he asks, a stretch, a yawn. Harriet's reading finger drags through the tricky phrase. 'Better drowned than duffers, if not duffers won't drown,' she reads. 'It's a telegram. It's from their dad. He's on a voyage!' She would hoist up her eyebrows if Lucas were looking. But Lucas is not looking. His head folds back to his desk. 'I dunno. A kind of animal?' 'I dunno,' says Harriet. 'Might be.' She kicks both her donkey slippers over the side of the bed. Frank and Ernest slide across the carpet. 'Dad,' she shouts, slippers sliding through the bedroom doorway. 'Dad,' from the middle of the landing. 'Dad!' weight on one hip. 'Dad?' weight on the other. Peter appears in shadows at the foot of the stairs. 'Harriet, haven’t we already spoken about you yelling from the landing?' 'Dad?' she whispers. 'Hello Harri.’ 'Dad? What are duffers?' Harriet refocuses on where her finger presses the page. 'Better drowned than duffers, if not duffers won't drown,' she reads. 'Useless idiots,' says Peter. 'Who are?' 'Duffers are.' Harriet does her best to appear baffled. 'A duffer is a foolish idiot,' Peter explains. 'A foolish idiot?' A fingernail scratches the page. 'I don't get it.' 'He's saying– I remember this bit –what he's saying is that if his children are idiots, it's better they drown in the lake.' Harriet smacks down the light switch. 'It's better his own children drown?!' Peter, suddenly spotlit, squinting, shrugs a shoulder. 'Only if they're useless. But yes, that is what he's saying.' Harriet taps the page, rechecks the sentence, scrutinises her father. 'But they're,' she whispers, 'they're his own children.' Back among pillows, contemplating Commander Walker's dismal attitude towards parenting, Harriet gives up reading before the end of the first chapter. The Walker children will just have to look after each other, that's all, she thinks, slotting a library bookmark into the distressing story's snug gutter. She measures her progress, running a thumb across the book's fore-edge, sneaking peeps into unread pages before tucking the volume beneath a knee. She gathers up the yellow blanket lying at her elbow, binds the loosely crocheted fabric around her hand. A finger pushes through a hole made larger by the habit, and through this hole Harriet strokes her top lip. She breathes deeply, absorbs the blanket's scent – watching her brother. 'What are you doing?' 'What does it look like I'm doing?' Harriet assesses the slope of her brother. 'It looks like you're dead.' Lucas emerges from around his right shoulder, holds up an issue of Buster and Jet. 'I'm trying to read.' 'Lu?' she says, before he can swivel away. He sprawls back over the chair, closes his eyes. 'What?' 'Lu?' Harriet leans forward. 'Do you ever wonder about your real mum and dad?' I do, she thinks. Sometimes, I imagine a man in a small house that has no stairs. He shouts, but nothing happens. The next second, the man puts a hat on and coat on and leaves. When he's gone, a lady leans her head against a door and whispers. Sometimes the angry man comes back — sometimes he doesn't. Lucas gets to his feet, the comic drops to the floor. He puts on his glasses, takes three steps to look at himself in the long mirror attached to the side of his wardrobe. He runs two fingers across his cheek, around his chin. 'Sometimes I do.' Both hands become busy exploring features of his reflection as though they belonged to someone else. 'I wonder if I look like my dad.' He presses his nose flat. Tugs on an ear. Smiles an odd smile that Harriet has never seen before; his own smile goes up at one side. 'What about you?' he asks. 'Do you ever think about yours?' She leaves Lucas pulling odd faces in his mirror, drifts into details of the boyish wallpaper. Sometimes, I imagine a man cupping a lady's hands as though he held gerbils. The lady goes to a door and whispers. 'Every day.' Harriet scratches away the wheel of a racing car. 'I wonder if I'm like my mum,' she says. 'I might be - maybe not much - maybe a bit though - I don't know.' Lucas has dumped the issue of his likeness, is pointing at damage caused by his sister's fingernail. ‘Don’t do that.’ 'Sorry,' she says, recapturing the runaway finger, placing it back inside her dressing gown. 'Every day?' He peers at Harriet. 'Seriously? Every day?' Sometimes, I imagine a teenager in a room by herself. She is sitting on the floor. Hiding in her skirt. No one knocks the door. No one whispers. 'Every day,' says Harriet, scratching her ribs. She fixes on the button eyes on her slippers until Lucas stops examining her. As Lucas turns away, her eyes rise and track him to the window. 'That'd do my head in.' He looks out over their front garden. 'I remember when you arrived – in your blanket.' And not for the first time, Harriet is delighted by the story of how Lucas acted as lookout, climbing up and over the back of their couch to perch on the windowsill. He tells her he remembers pulling back the net curtains to get a better view of the road; how it was just before Christmas, snow piled up on the grass, right there. He can't remember how long he sat on the windowsill but remembers the explosion of fuss when the green Mini Clubman leaned into view. Harriet sniggers while Lucas mimes their social worker, Mrs Greenwood, carrying a heavy bundle, the bundle that was Harriet, up their slippery driveway, into their home, setting her down in the middle of the front room, on the floor, like a picnic basket. Lucas remembers Harri wrapped in her yellow blanket. He describes his touch stirring her awake, recalls how she screamed as though dipped in hot water. 'I screamed?' Harriet covers her mouth with her blankety hand. 'So loud, so loud Mum didn't know what to do.' 'Really?' clutches around her knees. 'No one ever told me that before.' Lucas tugs on a curtain. 'For ages you screamed. You stopped in the end. You must have fallen asleep or something. I can't really remember.' 'Blimey.' Harriet flops back against the pillows. Lucas finishes drawing the curtains then settles on the edge of the bed, one knee up, one foot on the floor. Harriet pulls on a stray length of yellow wool. 'Every day, Harri?' he asks. 'What do you think about every day?' Every day I try to imagine a happy story. 'I wonder about my mum. I wonder what happened, that's all... Do you actually know why you were given up, Lu?' Lucas hauls up his other leg, leans on an elbow, busies himself with his bedspread. 'I know she was sixteen. That's about it.' 'She probably couldn't look after you, then,' says Harriet, helpfully. Lucas nods. 'Maybe.' 'That's what Mum says about my mum.' Harriet scratches again at the wallpaper. 'But she doesn't really know. Not really. So I still wonder about it.' She covers her mouth, inhales through her blanket. 'I think most about her though – my real mum, I mean.' She flips open the book. 'Dad says a duffer is a stupid idiot, by the way.’
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LOVE AND HAPPINESS follows Harriet across two decades; from a Congleton childhood through Stockport flat-shares, from the adoption papers that arrive on her sixteenth birthday to an extraordinary piece of engineering that will make her briefly notorious. She is Black, adopted, raised by a white family who love her fiercely and understand her imperfectly. Her brother Lucas is the only other person in the world who knows exactly what that means.
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The novel is often very funny. A burglary mounted for the most romantic of reasons goes comprehensively, humiliatingly wrong. A London hen night escalates well beyond anyone’s control. Then there is Dennis, in the flat below; a retired RAF veteran with a half-finished model P-38 Lightning on his craft bench and increasingly unreliable hands.
Underneath the comedy, LOVE AND HAPPINESS; named for the Al Green and Teenie Hodges lyric that opens it; is a novel about what it means to hold on to the people you might lose. Harriet’s Britain is the specific, unromantic, entirely real Britain of the 1970s and 1980s: the pointed reading lists of a well-meaning English teacher, a social worker arriving unannounced at a maternity ward, a tabloid front page, a wet afternoon in a Worsley cemetery. The novel holds you inside Harriet’s world as though it’s happening now; clearly and without self-pity; through eyes that see sharper than most.
The last line of the novel belongs to Dennis. Five words. They are, in context, completely unbearable.
Publication Details
G.I. James
Publisher: Margin to Margin Books
Published 2025
Format: Paperback Ebook
Pages: 176
Language: English
ISBN — Paperback: 978-1-0681765-0-0
ISBN — Ebook: 978-1-0681765-2-4
Trade Distribution: Books Council of Wales — available to bookshops, libraries & retailers






